After the visit to 'The Small Wide World' it was time for our guided tour of the mansion itself. I was rather excited!
This house was built as a private home and winter residence, completed
in 1898, for Walther and Wilhelmina von Hallwyl. There were no budget
limitations, so genuine materials were used throughout and the house was
equipped with state of the art technology, such as electricity, running
water and telephones. It spans over 5 floors, some 40 rooms and 2000 square meters!

This museum is one of Sweden's largest cultural-historical collections. The Hallwyl Museum differs from other museums created in Europe and America during the same time by including the entire house with all its objects. Everything here has been preserved, from the salons and galleries to the kitchen and bathrooms. The decision to turn the house into a museum was taken already when the couple moved in.
We could see the Dining Room we had seen as a miniature, in all its glory:
The Hallwyl family home and all its contents were donated to the Swedish state in 1920 so that they could be exhibited as a museum. All the rooms are untouched and unchanged, exactly as they once were.
This is the Julius Kronbergs' portrait of Wilhelmina Hallwyl, painted in 1895. An unusual representation of a society lady, if you look at her clothes, and her pose.
It was Wilhelmina who built up the extensive collections of weapons, paintings, ceramics, silver, textiles and furniture during her lifetime.
The Porcelain Room, containing Wilhelmina's collection of European porcelain. Almost every 18th- and early 19th century manufacturer is represented in the more than 500 objects. These objects were never used, they were intended purely as collectibles.
Porcelain from Rörstrand:
The Billiard Room, a mix of Renaissance and Baroque styles, panelled in walnut and with a beautiful wallpaper with golden details.
The Armoury with a collection of antique weapons and armour focusing on hunting arms and finely decorated pieces rather than proper combat weaponry.
The Great Drawing Room, which was the setting for festive occasions, such as balls and musical evenings. The interior was designed to accommodate the set of 16th century tapestries, made in Brussels. The Steinway was delivered in 1896, and was restored in 1990. It is now kept at concert pitch.
The artist Julius Kronberg painted An Open Air Concert, for the ceiling in 1898. An allusion to the musical purpose of the room.
The Smoking Room, where the family would gather to drink coffee and play cards. The interior was loosely inspired by the Orient with walls lined with silk fabric and furniture upholstered with Turkmenistan rugs.
The modernist paining is a portrait of the grandson Rolf de Maré, painted 1916 by Nils Dardel.
The Silver Room:
The China Room, with the biggest single collection - the Asian ceramics.
This collection's main focus was on porcelain made for export markets, imported to Europe by the East India companies.
Some objects were also special commissions, like this cup and saucer from two sets of services decorated with the Linnea flower, made for the botanist Carl Linneaus:
The Bowling Alley on the top floor:
The Gym:
The Gallery:
It was a great tour. Even Pia, who admitted she was not all that convinced but came along for the company - enjoyed it!
What an amazing museum, and what a glorious story of what seems to have been an extraordinary woman. Oaw!